Art for the masses. Form follows ideology. Geometry as weapon.
The easel painting is dead. Art must descend from the museum walls and enter the factory, the street, the home. The artist is no longer a visionary — they are an engineer of visual culture.
Diagonal lines create dynamic tension. Red is the color of revolution. Black and white provide structural clarity. Every element must serve a purpose — decoration is counter-revolutionary.
WORKERS OF THE WORLD
Revolutionary, bold, propagandistic � art as a weapon for social change.
1913�1930s. Russian avant-garde. Key figures: El Lissitzky, Alexander Rodchenko, Vladimir Tatlin.
Red (#cc0000) for revolution, black for power, white for clarity. The three-color revolutionary palette.
Oswald (geometric sans) � bold, condensed, propaganda-ready. Inspired by the heavy grotesks of Soviet posters.
Diagonal dynamism, photomontage, geometric abstraction, propaganda messaging, asymmetric balance, industrial materials.